Michael composed and arranged all the music on “Revelación”, which falls not only into the Latin jazz category, but also the realm of Afro-Venezuelan rhythms as well. He makes full use of the styles and turns out a highly satisfying record.
Michael uses the blues as the base for “Juliana Bridge Bomba-Blues”, fermenting it with a bop beat which he essays with technical facility on the trumpet, sounding edgy and flinty as he drives the pulse. Jose Luis Lopretti brings in a lighter hue, his fingers dancing on the piano keys, the whole wrapped in bomba and calypso rhythms. There is a lot in there, but it is all put together seamlessly, making it an aural delight.
While brother Marlon plays drums on all the tracks, Edward (piano) joins Michael for the remarkable “Renacer”. The two are also brothers in spirit, playing with a striking depth of communication. In doing so, they ignite the tune with an intense, warm glow, turning this ballad into one of the highlights of the album.
Michael finds his “Spiritual Affinities” with alto saxophonist Konstantin Klashtorni. This composition has a lot going for it: not only are there several Venezuelan rhythms, but Simon and Konstantin show how they can ride on top of them and create jazz harmony. Konstantin daubs a wide tonal canvas and complements Michael perfectly, both in the pictures they create and in their tradeoffs along the way. In doing so, they put the final stamp of class on the recording.
– by Jerry D’Souza from All About Jazz.